If I am a bit buried in Motmot mulch at the moment, I apologize, but I’ve been maxed out with this:


And this:

plus this:

and commissioned paintings, travel, and preparing work for exhibits. So it’s a great pleasure to be able to direct you to this interview I did with Wrenaissance Woman at The Nature Blog Network a couple of weeks ago; enjoy!
Also, if you are a customer of the Oklahoma Electric Cooperative (and you know who you are) you will have gotten the April issue of Oklahoma Living Magazine. On page 24 is a profile written by Elaine Warner: “Art is for the Birds- local artist Debby Kaspari receives national acclaim”. Most excellent coverage and some very nice pictures.
Gorgeous as usual! Fabulous plates.
Phil Floyd sent me your blog address. He thought I would enjoy viewing your work. He was absolutely right. It’s a joy visiting. THank you for sharing.
Lovely as always. Chickens!!
Thanks for the comments, and by the way, gato, thanks for the frying pan!
Amazing plate on the goatsuckers. I didn’t realize jut how large the full sized painting was. Just goes to show how much effort and detail go into the finished product. Very impressive!
Spectacular plates-I’m amazed at what you do as always!
Nightjars in flight, my sincerest condolences. I think the worst plate I ever had to paint was immature falcons in flight, from above and below. Every single freakin’ feather with some kind of mark on it. Just about impossible to keep the birds from degenerating into meaningless hieroglyphs. You’re doing a terrific job, but I know that you know what true bird painter’s purgatory is.